Director & Writer
Emily is a multi-award-winning writer and director. She has worked in the industry for nearly two decades and continues to write and direct across theatre and screen.
Emily is a multi-award-winning writer and director. She has worked in the industry for nearly two decades and continues to write and direct across theatre and screen.
*Fringe First winner and Show of the Week winner 2019*
A dark comedy about foot-and-mouth disease.
It's the late 90s: Take That, Tamagotchis and Pog swaps. When Bobby and Amy meet, hundreds of cows dot across the fields and the sun always shines.
But when the cows begin to burn, Bobby and Amy’s sleepy Cotswold town faces a catastrophe that will change their home forever.
Bobby & Amy explores friendship and what happens when our way of life is threatened by those who don’t understand it.
Written and directed by Emily Jenkins, produced by Emma Blackman productions
Vault Festival 2019
Pleasance Courtyard 2019
National Tour 202
Copies of the play text can be purchased online.
The Times
The Guardian
The List
Now a key stage three drama resource.
Inspired by the true, heartfelt stories of students, COOKIES follows seven teenagers navigating the challenges of the digital age.
Sosa, a streetwise Londoner, finds solace in the music of her favorite rapper. However, her world is shattered when she finally meets her idol.
Eva, an aspiring vlogger, breaks up with her gamer boyfriend, Simon. She is then forced to confront the devastating consequences of sexting and relentless online abuse.
Selena, a fan of pop star Zayn, begins chatting with another anonymous superfan online. As their friendship grows, the young Muslim woman grapples with her faith and is persuaded to embark on a dangerous journey.
Haymarket Theatre, 2017
Written by Emily Jenkins, directed by Anna Ledwich.
Copies of the play text, published by Samuel French, can be purchased online.
Hive
Everything Theatre
British Theatre Guide
Emily has almost two decades of experience as a director and writer. She has won two Fringe Firsts for plays she has both written and directed (Rainbow; and Bobby & Amy), and has had work commissioned and produced in London’s West End (Cookies, Theatre Royal Haymarket.)
Her recent work as a director includes:
Bobby & Amy, National Tour; The First by Barry McStay, Vault Festival ; Hot by Richard Marsh, Vault Festival; Bobby & Amy, Pleasance Courtyard and Vault Festival (FRINGE FIRST award plus Show of the Week award at Vault Festival 2019); Serious Money by Caryl Churchill, Sainsbury Theatre; Quarantine, Greenwich Maritime Museum; The Provoked Wife, As you Like It, and A Midsummer Night's Dream all for LAMDA; Vinegar Tom by Caryl Churchill, Royal & Derngate Theatre; Merry Wives of Windsor, Royal & Derngate Theatre; KCS by Caitlin Moran, Southwark Playhouse; Rainbow by E Jenkins, Zoo Southside (FRINGE FIRST award); Mojo Mickybo by Owen McCafferty, The Old Red Lion (nominated for Off West End Award).
Her recent work as a writer includes:
Bobby & Amy, National Tour 2021, and Pleasance Courtyard 2019 (Fringe First winner); Quarantine, Quarantine, Greenwich Maritime Museum; COOKIES, Theatre Royal Haymarket; Dark Matter, Paines Plough; Bed, Traverse Theatre; Rainbow, Zoo Southside (Traverse Theatre).
Emily graduated from the National Film and Television School screenwriting course in 2022 and is currently working with Blue Horizon productions on the screenplay adaptation of Bobby & Amy. She has attended multiple invitation only writers' programmes including at the Criterion Theatre, Royal Court, Traverse Theatre, and RADA.
Rainbow, Zoo Southside
Bobby & Amy, Vault Festival
Bobby & Amy, Pleasance Courtyard
COOKIES, Theatre Royal Haymarket
“Jenkins’ invention makes every minute hold.”
— British Theatre Guide (Mojo Mickybo).
“...exacting and meticulous direction...clever stuff.”
— London Theatre Guide (Mojo Mickybo).
“(Emily Jenkins) directs the show almost like a ballet, with lithe and tireless physicality from the two superb performers Will Howard and Kimberley Jarvis.”
— The Stage (Bobby & Amy).
“Thankfully, we have plays like Emily Jenkins' Cookies to remind us that we're not just screaming into the void. Over 80 electrifying minutes, we watch how small mistakes snowball into crises that threaten the lives of seven ordinary London teenagers."
— Hive (Cookies).
“Cookies being a show that is unlike one I have seen before. It is inventive...it is a good play. More than this, it sets the very purpose of theatre in its responsibility to engage, and alight with the most visceral empathy.”
— Everything Theatre (Cookies).
Pay close attention to ‘Rainbow’; it will strike you as moving, smart, and powerful....Rainbow shines with brilliance and covers a spectrum of dramatic feeling and powerful truth.”
— Three Weeks (Rainbow).
"The writing, by Emily Jenkins (who is also the show's director and producer), is fantastic....I'd see Rainbow again, and I don't say that about many plays."
— Fringe Guru (Rainbow).